I gave a talk in Mexia, Texas about my writing journey. It seems everywhere I go there are people who want to write a book. In this group of 12-15, three were writing. I told them how I got started, the classes I took, the organizations I belong to, and the importance of joining a critique group.
I also talked about ways to organize a novel to keep the reader interested from start to finish. This lead to a discussion of the importance of the first scene. Writers tend to start the book a few pages, sometimes chapters, before the action begins. In my first book, Where Love Once Lived, I stripped off page after page of the beginning while at the Yosemite Writers' Conference preparing to read from my work in process the next day.
I did more stripping and editing when I got home. Here's what I ended up with:
Karen felt loved on Tuesdays.
She was fifty-three and divorced with a college-aged daughter at home who’d probably flee the nest soon, leaving Karen to live alone. She’d missed her chance for happiness. Still, she wasn’t sad. Teaching and her volunteer work as a lay minister, hospital chaplain, and member of her church choir fulfilled her. To be honest, she wanted more. She wanted the special kind of love she felt on Tuesdays.
My second novel, The Vengeance Squad, is written in first person with a young male protagonist. There is a prologue, too short to warrant chapter formatting, which I placed above the Chapter One beginning. See how this grabs you. Would you want to read more?
The prologue gives us a glimpse into the future and, hopefully, a desire to know what happens. The first paragraph of Chapter One gives the reader an understanding of how in love the narrator is.
Love Lives On, my third novel, is a sequel to Where Love Once Lived. It also ties in some of the characters from The Vengeance Squad. I don't call them sequels because each will stand alone. However, I think readers would enjoy them more if the books are read in chronological order.
Here's how Love Lives On begins:
Karen Williams was fifty-four and divorced for so long she'd given up hope for that special marriage everyone talked about, but few probably had experienced. Then, a year ago, her life changed. Her college sweetheart charged back into her life, acting as if he'd never stopped loving her. He was waiting for her at the altar now as she touched up her makeup in the bride's room of her church.
She hurried to apply mascara, but her right hand wouldn't be still. The pencil hit the table with a soft clunk. Tears followed. Tears from nowhere. A glance into the mirror showed mascara running down both cheeks. What was happening?
Was it that feeling of unworthiness that crept in when she least expected it? Couldn't be. God had forgiven her long ago, but she would never forget what had happened. Second thoughts? Definitely not. She loved Brian and he loved her. He would never do anything to hurt her. Not again.
This excerpt is a little longer because the backstory was necessary to remind readers of the last book or to introduce Karen to new readers. It was her wedding day. Why was she crying? What did she do that caused her to need God's forgiveness? What had Brian done before to hurt her? Will the wedding go on as scheduled?
Presenting questions at the beginning will cause the reader to seek answers by continuing to read.
My fourth novel, The Vengeance Squad Goes to England begins this way:
Tex removed his ten-gallon cowboy hat, swiped his brow and leaned back in his wheelchair to get his hug. I stood behind him knowing I'd be next. But nothing happened. Liz sat at the end of the conference table with her head in her hands.
My friend and former computer science student, Tex Thompson, locked his eyes on mine and I stared back at him in disbelief. Something was wrong. Liz Siedo, the happiest librarian in the world, the person who accepted God's will in every situation and hugged everyone who came within five feet of her, was either sick or depressed.
When I give talks, I tell people not to try to write the perfect beginning before finishing the rest of chapter one. If you do, you'll never finish the book. Write the whole thing and then come back and rewrite the first chapter. Often, my characters have something to say about the endings and the results lead to the need to make changes to the beginning. For example, when I wrote Murder in Sun City I didn't know who the killer was until I was halfway through the book. This caused a need to change the beginning. Here's the original opening:
"Liz! Are you okay?"
I looked up at Margie and wondered if I was. I wiggled around before I answered. "Nothing seems to be broken. I guess I'm lucky I landed on my God-made cushion."
I could tell Margie was amused by my comment because she was clearly trying not to make light of my mishap. So I laughed to let her know it was okay. I'd never been embarrassed by my ample bottom and was rather pleased with the way it broke my fall today. I wished I hadn't left my coat in the bookmobile, but it was such a short walk to Sharon's house.
Margie laughed. "Well that's good to hear. When I saw you slipping and sliding on that iced driveway, I knew you'd end up falling. "Watching you throw books into the air like that was the funniest thing I've seen in some time. Then she sobered. "I'm sorry. I shouldn't be laughing at your fall."
"That's okay. Glad to brighten your day. Besides, I'm not hurt. Just not sure how to get up."
Besides the unexpected turn of events as I got into the book, there were other reasons to change this beginning. It just didn't grab me.
I should explain that this is the first in the so-called bookmobile series where the reader sees things through Liz's eyes. If you've read the other books, you know she is large, but happy and confident. So this beginning is to let you know she sees herself the same way other people see her. It's okay, but it is irrelevant to the story. It doesn't ask questions. It doesn't cause the reader to want to keep reading. Hopefully, the revision below does:
Margie was waiting on the icy driveway as I parked the bookmobile in front of Sharon's house. Had she been crying?
I climbed out and gave her a hug. "Are you okay?"
She held on a little longer than usual. "I'm okay."
I pushed away and looked into her eyes. "Something's wrong. You've been crying."
"No." She brushed at her eyes with a gloved hand. "Must be from the cold."
I knew she needed to talk. "Why don't you wait in the bookmobile and get warm? I brought those books you asked for."
"Okay." Margie didn't look at me as she spoke. "I guess you should see Sharon first."
I stepped into the library and picked up the five books I'd brought for Sharon and a white paper bag.
Margie moved back to give me space. "What's in the bag?"
"Some scones for Sharon. I got them at the library coffee shop while I was loading books this morning."
"Scones?""Hey. Come with me." I held up the bag. "Carry this for me. I've got enough for all of us."
I will probably change this more before it is published, but I think this works better. What do you think?
If you are a reader only or a writer and reader, check some of your favorite books and see if the magic began on page one.
I talked about this in a previous post where I included the openings of some Pulitzer Prize winners. See Pulitzer Prize First Sentences. Some are better than others. What do you think? Would you read the books based on beginnings, or only because it won the Pulitzer Prize?